FocusOn/Terra Incognita (Vistamare Milan)

---->>AFTERNOON (SPE - Tenuta Dello Scompiglio)

IL NUMINOSO (Building Gallery Milan)

L'Ombra del Cielo/The Shadow of the Sky
Mille Giorni Contano (Galleria Poggiali)

I cani silenziosi se ne vanno via (Museo Novecento Firenze)

The Fugitive (Centro Pecci Prato)

Wearing an A (Sifang Museum Nanjing, China)
A movie without a mountain (Italian Embassy Berlin)
The stone cut (MACBA, Barcelona)
Wearing an A without fear

This Morning...(TATE Modern)

A good performance (Torna - Instambul)
Idea per una presenza nel deserto/Idea for a presence in the desert
The Sunshine Vineyard (Our Ideal Revolutionary Storm) (FRANKFURTER KUNSTVEREIN)

Untitled (sasso alieno)
There is not a priori answer to this dilemma (The Dolphin Hotel)
The first imperial earthquake

Dunno (A Perfect Crime)

Ein fragment
Reflecting on a political hole (the space for a sculpture)

People have started to plan
Untitled (Himalaya)

Instrument #1 - Instrument #2
Untitled (rainbow)


Installation and Performance by Francesca Banchelli

SPE - Spazio Performatico e Espositivo Tenuta Dello Scompiglio, Lucca IT

A cura di Angel Moya Garcia

Francesca Banchelli’s work focuses mainly on the languages of painting and performance and is often articulated in multifaceted installations. In these complex devices the artist’s interest in the theme of time often emerges as a way of examining the possibilities of narration as a sort of story, a rhythm or a situation that generates movement and which could potentially contain a whole constellation of moments, encounters or events. Her images include dreamlike visions of coexistence between different living beings and between these and natural objects that hold time within themselves, or inani- mate objects through which we understand ourselves. A perception of reality that becomes an awareness of these relationships on a physical, emotional and psycho- logical level in order to research the complexity of the event. Banchelli uses time like a keystone to find balance in the encounter between the self and the world, a re- conciliation between the individual, the collective, nature and occurrences on earth. For her it is essential that art is not a value in itself, but that it can activate certain situations, maintaining a strong tension, a relationship and a direct involvement with the observer.

An event, observed from a philosophical point of view, occurs in certain circumstances or in certain places that cannot be concretely defined. It is a revolutionary instant in which the possibility of being surprised, often generated by an encounter to some degree unusual, comes in a vacuum where the balance is lost, followed by a return to normality but with something more, a knowledge, a response, a learning. It is precisely in the destabilising aspect of this encounter that all the performative research that Banchelli presents in a cadenced way within the exhibition is based.
The environmental installation Afternoon, presented at the Tenuta Dello Scompiglio in Lucca, draws inspiration from the theory of The Event elaborated by the French philosopher Alain Badiou, attempting to emancipate itself from theoretical thought through a vision full of imagery that observes and reflects on the rarefaction of the place in which the event can happen. Afternoon is an unreal landscape, an aliena- ting, abstract territory, where a thought, a moment, an epoch ends and begins again. It is the garden that germinates the event, a fundamental and sometimes invisible world, a space of the imagination without a name as yet.
In the space, a series of silent corridors, ephemeral and extremely fragile architectures, fragmented and interrupted environments or actions that activate the installation, reveal a situation in which the complexity and lightness of the evolution of the human presence on Earth coexist simultaneously and without paradox. A work in which the visitor is called to walk, to stroll, to observe, to confront the noise of their own steps to enter a suspended world in which anything can happen, in which they too are called to provoke, to live or to cause the event. Thanks in particular, for the collaboration in the creation of the exhibition, Gori Tessuti di Prato

Original music:
Emiliano Zelada

Sara Capanna
Barbara Carulli
Chiara Casiraghi
Giulia Gilera
Ana Luisa Novais
Emanuel Santos
Michele Scappa
Luca Zanni

Ph. Credit Leonardo Morfini